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Everyday low prices and free delivery on eligible orders. Buy Volkswagen blues (Babel) by Poulin, Jacques (ISBN: 9782742718009) from Amazon's Book Store. The vehement opposition to Rivera’s representation of. Volkswagen Blues: Poulin, Jacques, Fischman, Sheila. In their experience of Diego Rivera’s Detroit Industry mural, Jack and La Grande Sauterelle find themselves in the role of both creator and victim of a grand master-narrative to reveal the inadequacy of a totalizing, determinate vision of history. Jacques Poulin’s Volkswagen Blues reflects the postmodern condition in its unraveling of the traditional, colonial, white supremacist portrayal of American history, opening with, “We are no longer the heroes of history” (Poulin). In its place, postmodernists argue, marginalized, localized, subaltern histories must be heard. Jean-Francois Lyotard, in his The Postmodern Condition, critiques the historical master-narrative, the vision of history as a totalizing narrative schema that reflects a singular perspective: “I define postmodern as incredulity toward metanarratives… The narrative function is losing its functors, its great hero, its great dangers, its great voyages, its great goal.” The all-encompassing, goal-oriented master-narrative is only a means to legitimize a subjective vision as truth.
History is written by the victorious, the dominating nation, the ruling class, and subaltern voices are overpowered and unheard. Volkswagen Blues Deconstructing Master-Narrative: the Postmodern View of History in Volkswagen Blues and Diego Rivera’s Detroit Industry Murals Monica Zhou College Join Now Log in Home Literature Essays Volkswagen Blues Deconstructing Master-Narrative: the Postmodern View of History in Volkswagen Blues and Diego Rivera’s Detroit Industry Murals
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